On Human Physiognomy

The various thoughts which arise in the mind, the different passions which agitate the soul of man, are respectively connected with his features and the external parts of his frame; and so intimate is their correspondence, that the expression of the countenance, more rapid than speech, betrays his sentiments and emotions, and gives to his utterance energy and animation. The one was designed as a mirror in which we might behold the other reflected; but the vicious study dissimulation; they endeavour to lock their passions and vices within their own breasts, and, by a virtuous exterior, to conceal the characteristic expression of villany. In vain, however, does hypocrisy tender them her aid: the outward figure and form of the man are forced to a resemblance of the internal model, and the dispositions of the heart are almost invariably depicted on the countenance. These facts were observed and verified, and such was the origin of physiognomy.