The Napoleon of Notting Hill

G. K. Chesterton

16 chapters · about 4 h

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The opening

Chapter I—Introductory Remarks on the Art of Prophecy

The human race, to which so many of my readers belong, has been playing at children’s games from the beginning, and will probably do it till the end, which is a nuisance for the few people who grow up. And one of the games to which it is most attached is called “Keep to-morrow dark,” and which is also named (by the rustics in Shropshire, I have no doubt) “Cheat the Prophet.” The players listen very carefully and respectfully to all that the clever men have to say about what is to happen in the next generation. The players then wait until all the clever men are dead, and bury them nicely. They then go and do something else. That is all. For a race of simple tastes, however, it is great fun.

For human beings, being children, have the childish wilfulness and the childish secrecy. And they never have from the beginning of the world done what the wise men have seen to be inevitable. They stoned the false prophets, it is said; but they could have stoned true prophets with a greater and juster enjoyment. Individually, men may present a more or less rational appearance, eating, sleeping, and scheming. But humanity as a whole is changeful, mystical, fickle, delightful. Men are men, but Man is a woman.

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About this edition

The words
The author's text, copied word for word.
Left out
  • The source library's header, footer and license, in 3 places
  • Pictures and their captions, in 2 places
  • The printed table of contents (the app makes its own)
  • The title page and opening pages before chapter 1
  • Printed closing line; the app marks the end of the work
  • Notes and pages added by translators, editors or publishers