The Duchess of Malfi
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The opening
SCENE I
[Enter] ANTONIO and DELIO
DELIO. You are welcome to your country, dear Antonio; You have been long in France, and you return A very formal Frenchman in your habit: How do you like the French court?
ANTONIO. I admire it: In seeking to reduce both state and people To a fix’d order, their judicious king Begins at home; quits first his royal palace Of flattering sycophants, of dissolute And infamous persons,—which he sweetly terms His master’s master-piece, the work of heaven; Considering duly that a prince’s court Is like a common fountain, whence should flow Pure silver drops in general, but if ’t chance Some curs’d example poison ’t near the head, Death and diseases through the whole land spread. And what is ’t makes this blessed government But a most provident council, who dare freely Inform him the corruption of the times? Though some o’ the court hold it presumption To instruct princes what they ought to do, It is a noble duty to inform them What they ought to foresee.—Here comes Bosola, The only court-gall; yet I observe his railing Is not for simple love of piety: Indeed, he rails at those things which he wants; Would be as lecherous, covetous, or proud, Bloody, or envious, as any man, If he had means to be so.—Here’s the cardinal.
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About this edition
- The words
- The author's text, copied word for word.
- Copied from
- Left out
- The source library's header, footer and license, in 2 places
- The title page and opening pages before chapter 1, in 2 places
- The printed table of contents (the app makes its own)
- A preface, foreword or afterword
- Notes and pages added by translators, editors or publishers, in 2 places
- Closing line "END OF PLAY"
- Other material that isn't the author's
- Notes about a stage production