Character and Opinion in the United States

THE MORAL BACKGROUND

About the middle of the nineteenth century, in the quiet sunshine of provincial prosperity, New England had an Indian summer of the mind; and an agreeable reflective literature showed how brilliant that russet and yellow season could be. There were poets, historians, orators, preachers, most of whom had studied foreign literatures and had travelled; they demurely kept up with the times; they were universal humanists. But it was all a harvest of leaves; these worthies had an expurgated and barren conception of life; theirs was the purity of sweet old age. Sometimes they made attempts to rejuvenate their minds by broaching native subjects; they wished to prove how much matter for poetry the new world supplied, and they wrote “Rip van Winkle,” “Hiawatha,” or “Evangeline”; but the inspiration did not seem much more American than that of Swift or Ossian or Châteaubriand. These cultivated writers lacked native roots and fresh sap because the American intellect itself lacked them. Their culture was half a pious survival, half an intentional acquirement; it was not the inevitable flowering of a fresh experience. Later there have been admirable analytic novelists who have depicted American life as it is, but rather bitterly, rather sadly; as if the joy and the illusion of it did not inspire them, but only an abstract interest in their own art. If any one, like Walt Whitman, penetrated to the feelings and images which the American scene was able to breed out of itself, and filled them with a frank and broad afflatus of his own, there is no doubt that he misrepresented the conscious minds of cultivated Americans; in them the head as yet did not belong to the trunk.