Sir Thomas More, or, Colloquies on the Progress and Prospects of Society

“Posso aver certezza, e non paura, Che raccontando quel che m’ è accaduto, Il ver dirò, nè mi sarà creduto.”

“Orlando Innamorato,” c. 5. st. 53.

It was during that melancholy November when the death of the Princess Charlotte had diffused throughout Great Britain a more general sorrow than had ever before been known in these kingdoms; I was sitting alone at evening in my library, and my thoughts had wandered from the book before me to the circumstances which made this national calamity be felt almost like a private affliction. While I was thus musing the post-woman arrived. My letters told me there was nothing exaggerated in the public accounts of the impression which this sudden loss had produced; that wherever you went you found the women of the family weeping, and that men could scarcely speak of the event without tears; that in all the better parts of the metropolis there was a sort of palsied feeling which seemed to affect the whole current of active life; and that for several days there prevailed in the streets a stillness like that of the Sabbath, but without its repose. I opened the newspaper; it was still bordered with broad mourning lines, and was filled with details concerning the deceased Princess. Her coffin and the ceremonies at her funeral were described as minutely as the order of her nuptials and her bridal dress had been, in the same journal, scarce eighteen months before. “Man,” says Sir Thomas Brown, “is a noble animal, splendid in ashes, and pompous in the grave; solemnising nativities and deaths with equal lustre, nor omitting ceremonies of bravery in the infamy of his nature.” These things led me in spirit to the vault, and I thought of the memorable dead among whom her mortal remains were now deposited. Possessed with such imaginations I leaned back upon the sofa and closed my eyes.