Billy Budd

Herman Melville

50 chapters · about 8 h

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The opening

I (An inside Narrative)

(An inside Narrative)

In the time before steamships, or then more frequently than now, a stroller along the docks of any considerable seaport would occasionally have his attention arrested by a group of bronzed marines, man-of-war’s men or merchant sailors in holiday attire ashore on liberty. In certain instances they would flank, or, like a bodyguard, quite surround some superior figure of their own class, moving along with them like Aldebaran among the lesser lights of his constellation. That signal object was the ‘Handsome Sailor’ of the less prosaic time alike of the military and merchant navies. With no perceptible trace of the vainglorious about him, rather with the off-hand unaffectedness of natural regality, he seemed to accept the spontaneous homage of his shipmates. A somewhat remarkable instance recurs to me. In Liverpool, now half a century ago, I saw under the shadow of the great dingy street-wall of Prince’s Dock (an obstruction long since removed) a common sailor, so intensely black that he must needs have been a native African of the unadulterate blood of Ham. A symmetric figure much above the average height. The two ends of a gay silk handkerchief thrown loose about the neck danced upon the displayed ebony of his chest; in his ears were big hoops of gold, and a Scotch Highland bonnet with a tartan band set off his shapely head.

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About this edition

The words
The author's text, copied word for word.
Left out
  • The title page and opening pages before chapter 1, in 2 places
  • Page numbers and running heads from the printed pages, in 4 places
  • Notes and pages added by translators, editors or publishers, in 29 places
  • The source library's header, footer and license
  • The printed closing line of the tale (“END OF BOOK”), like “End of volume I”: a printer's closing line (2 blocks)
  • A preface, foreword or afterword
  • Pictures and their captions