Quo Vadis
Translated by Jeremiah Curtin
Henryk Sienkiewicz’s historical novel follows a Roman patrician and a Christian woman during Nero’s rule. This English text is Jeremiah Curtin’s 1896 translation from Polish and follows their relationship through the persecution of Christians in Rome.
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The opening
I
Petronius woke only about midday, and as usual greatly wearied. The evening before he had been at one of Nero’s feasts, which was prolonged till late at night. For some time his health had been failing. He said himself that he woke up benumbed, as it were, and without power of collecting his thoughts. But the morning bath and careful kneading of the body by trained slaves hastened gradually the course of his slothful blood, roused him, quickened him, restored his strength, so that he issued from the elaeothesium, that is, the last division of the bath, as if he had risen from the dead, with eyes gleaming from wit and gladness, rejuvenated, filled with life, exquisite, so unapproachable that Otho himself could not compare with him, and was really that which he had been called—arbiter elegantiarum.
He visited the public baths rarely, only when some rhetor happened there who roused admiration and who was spoken of in the city, or when in the ephebiae there were combats of exceptional interest. Moreover, he had in his own insula private baths which Celer, the famous contemporary of Severus, had extended for him, reconstructed and arranged with such uncommon taste that Nero himself acknowledged their excellence over those of the Emperor, though the imperial baths were more extensive and finished with incomparably greater luxury.
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About this edition
- The words
- Jeremiah Curtin's English translation, copied word for word.
- Copied from
Standard Ebooks edition first released October 12, 2020, produced by Matt Chan from the transcription credited to David Reed and David Widger and HathiTrust Digital Library scans.
- Left out
- The title page and opening pages before chapter 1, in 2 places
- Pictures and their captions
- Standard Ebooks' imprint
- Notes and pages added by translators, editors or publishers, in 4 places
- A preface, foreword or afterword
- Note numbers and their links
- Notes about a stage production
- Standard Ebooks' public-domain dedication page
- Kept as written
Its depictions of slavery, religious persecution, sexual coercion and violence, and its language about peoples and religions, are kept as the author wrote them.