Verses
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The opening
TO DIVES
Dives, when you and I go down to Hell, Where scribblers end and millionaires as well. We shall be carrying on our separate backs Two very large but very different packs; And as you stagger under yours, my friend, Down the dull shore where all our joumeys end. And go before me (as your rank demands) Towards the infinite flat underlands, And that dear river of forgetfulness — Charon, a man of exquisite address (For, as your wife’s progenitors could tell, They’re very strict on etiquette in Hell), Will, since you are a lord, observe, “My lord. We cannot take these weighty things aboard!” Then down they go, my wretched Dives, down — The fifteen sorts of boots you kept for town. The hat to meet the Devil in; the plain But costly ties; the cases of champagne; The solid watch, and seal, and chain, and charm; The working model of a Burning Farm (To give the litde Belials); all the three Biscuits for Cerberus; the guarantee From Lambeth that the Rich can never bum. And even promising a safe return; The admirable overcoat, designed To cross Cocytus — very warmly lined: Sweet Dives, you will leave them all behind And enter Hell as tattered and as bare As was your father when he took the air Behind a barrow-load in Leicester Square. Then turned to me, and noting one that brings With careless step a mist of shadowy things: Laughter and memories, and a few regrets, Some honour, and a quantity of debts, A doubt or two of sorts, a trust in Grod, And (what will seem to you extremely odd) His father’s granfer’s father’s father’s name. Unspoilt, imtitled, even spelt the same; Charon, who twenty thousand times before Has ferried Poets to the ulterior shore. Will estimate the weight I bear, and cry — ‘“Comrade!’* (He has himself been known to try His hand at Latin and Italian verse. Much in the style of Virgil — only worse) ‘We let such vain imaginaries pass!” Then tell me, Dives, which will look the You, or myself? Or Charon? Who can tell? They order things so damnably in Hell.
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About this edition
- The words
- The author's text, copied word for word.
- Copied from
- Left out
- Page numbers and running heads from the printed pages, in 6 places
- Other material that isn't the author's
- Library marks on the endpapers (“B^^l^^”, “5".”) (2 blocks)
- The half-title (“VERSES BY H. BELLOC”)
- The title page and opening pages before chapter 1
- Printed ornaments and dividers
- A scan mark at the top of the dedication page (“"sir-”, 1,000 px above the dedication)
- A stray scan mark: “t€” standing alone between two lines of a stanza
- A stray scan mark: “»»” at the foot of page 65
- Notes and pages added by translators, editors or publishers