The Aesthetic and Miscellaneous Works of Frederick von Schlegel

Friedrich Schlegel

Translated by Ellen J. Millington

55 chapters · about 14 h

Get it in Sphinx

Coming soon to iPhone and Android. Join the waitlist to hear when Sphinx opens.

Join the waitlist
Your phone

We'll only email you about Sphinx; you can ask us to remove you any time.

The opening

LETTER L The Gallery of the Louvre, and the Collection of Pictures there exhibited. — Observations on some Works of the old Italian School, and the peculiar Genius and allegorical Style of Correggio's Compositions. — On the Resemblance between Correggio and Leonardo, and their Style and School. — On the various Styles of Portrait Painting adopted by the old Masters, Holbein, Leonardo, Titian, and Raphael. — Preliminary Observations on the gen(eral Character of Raphael.— - Conclusion, and Description of a few old Dutch Pictures, by John Van £yck, Hemmelink, and Diirer.

THE YEARS 1802—1804.

The Gallery of the Louvre, and the Collection of Pictures there exhibited. — Observations on some Works of the old Italian School, and the peculiar Genius and allegorical Style of Correggio’s Compositions. — On the Resemblance between Correggio and Leonardo, and their Style and School. — On the various Styles of Portrait Painting adopted by the old Masters, Holbein, Leonardo, Titian, and Raphael. — Preliminary Observations on the gen(eral Character of Raphael.— - Conclusion, and Description of a few old Dutch Pictures, by John Van £yck, Hemmelink, and Diirer.

ADDRESSED TO A FRIEND AT DRESDEN.

September, 1802.

The whole book is in the Sphinx app.

About this edition

The words
Ellen J. Millington's English translation, copied word for word.
Left out
  • Page numbers and running heads from the printed pages, in 6 places
  • Google Book Search cover page and notice (13 blocks)
  • Library stamp and Google watermarks on the front flyleaves (7 blocks)
  • Series half-title ('BOHN'S STANDARD LIBRARY...') and printer's imprint ('SPOTTISWOODES and SHAW') (3 blocks)
  • The title page and opening pages before chapter 1, in 2 places
  • Closing line ('THE END.')
  • Printer's errata list citing print page and line numbers
  • Printer's colophon ('SPOTTISWOODES and SHAW, New-street-Square.')
  • End-leaf Google watermarks and Harvard Widener Library borrower notice (11 blocks)
  • Google Books watermark (523 blocks)
  • Printer's signature at foot of page (92 blocks)
  • Stray scan mark / marginalia at edge of page (9 blocks)
  • Duplicate OCR ghost repeating the right ends of lines 1–2 of the following paragraph
  • Notes and pages added by translators, editors or publishers, in 95 places
  • Continuation of footnote quoting Kugler's Handbook ('Kugler says, p. 345...')
  • A preface, foreword or afterword, in 3 places
  • The printed table of contents (the app makes its own)
  • Stray scan mark at the left margin of a broken word ('stu- / diously')
  • Google Books watermark merged into the last line of the paragraph
  • Printer's signature at foot of footnote
  • Stray scan mark at the left margin of a broken word ('per- / fection')
  • Stray scan mark at the left margin of a broken word ('acquire- / ments')
  • Stray scan mark at the left margin of a broken word ('enfran- / chise')
  • Stray scan marks before the heading 'ON THE POETICAL WORKS OF GIOVANNI BOCCACCIO'
  • Stray scan mark before 'ON' in the subtitle of Modern German Paintings
  • Printer's signature ('G G 2', read as 'u o 2') merged into the last line of the paragraph
  • Printer's signature ('G G 4', read as 'o o 4') merged into the last line of the paragraph
  • Printer's signature ('I I 2', read as 'II 2') merged into the last line of the paragraph
  • Printer's signature ('I I 4', read as 'II 4') merged into the last line of the paragraph
  • Stray scan marks at the right margin of the heading 'Chap. V. — Pantheism.'