Celestina or The Tragicke-Comedy of Calisto and Melibea

Fernando de Rojas

Translated by James Mabbe

24 chapters · about 7 h

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The opening

ACTUS I

THE ARGUMENT

ALISTO entering into a garden after his usiiall manner, met there with Melibea, with zchose love being caught, he began to court her: by whom being sharply checkt and dismist, he gets him home, being much troiMcd and grieved: he considts his servant Sempronio, xoho cif’ter much intercourse of talke, and debating of the businesse, advised him to entertaine an old woman, named Celestina, in whose house his said servant kept a Wench, to whom hee made love, called Elicia: Who, Sempronio comming to Celestines house about his masters businesse, had at that time another sweet heai-t in her company, called Crito, whom they hid out of sight. In the interim that Sempronio was negotiating with Celestina, Calhto Jiills in talke zvith another of his servants, named Parmeno, which discourse continueth till Sempronio and Celestina arrive at Calisto”s house. Parmeno was knowne by Celestina, who tells him of the good acquaintance which she had of his mother, and many matters that had past between them; inducing him in the end to love and concord with Sempronio.

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About this edition

The words
James Mabbe's English translation, copied word for word.
Left out
  • Page numbers and running heads from the printed pages, in 9 places
  • Specks on the scanned cover and endpaper, read as characters by the OCR (9 blocks)
  • Other material that isn't the author's, in 3 places
  • Notes and pages added by translators, editors or publishers, in 3 places
  • The title page and opening pages before chapter 1, in 3 places
  • The 1894 printer's line ("Edinburgh : T. and A. Constable, Printers to Her Majesty")
  • The 1894 printer's colophon ("EDINBURGH T. & A. CONSTABLE Printers to Her Majesty 1894") (2 blocks)
  • Specks on the back endpapers, read as characters by the OCR (15 blocks)
  • The library's card pocket ("University of Toronto Library DO NOT REMOVE THE CARD FROM THIS POCKET") (9 blocks)
  • Specks on the back cover, read as characters by the OCR (5 blocks)
  • Notes about a stage production
  • Closing line of an act ("THE END OF THE FIRST ACT"), like "THE END" (19 blocks)
  • Other works printed in the same volume